public carriages were engaged, and they must have one from a stable if
they wished to drive after breakfast. Still it was offered them for such
a modest number of marks, and their driver proved so friendly and
conversable, that they assented to the course of history, and were more
and more reconciled as they bowled along through the grand-ducal park
beside the waters of the classic Ilm.

The waters of the classic Ilm are sluggish and slimy in places, and in
places clear and brooklike, but always a dull dark green in color. They
flow in the shadow of pensive trees, and by the brinks of sunny meadows,
where the after-math wanders in heavy windrows, and the children sport
joyously over the smooth-mown surfaces in all the freedom that there is
in Germany. At last, after immemorial appropriation the owners of the
earth are everywhere expropriated, and the people come into the pleasure
if not the profit of it. At last, the prince, the knight, the noble
finds, as in his turn the plutocrat will find, that his property is not
for him, but for all; and that the nation is to enjoy what he takes from
it and vainly thinks to keep from it. Parks, pleasaunces, gardens, set
apart for kings, are the play-grounds of the landless poor in the Old
World, and perhaps yield the sweetest joy of privilege to some state-sick
ruler, some world-weary princess, some lonely child born to the solitude
of sovereignty, as they each look down from their palace windows upon the
leisure of overwork taking its little holiday amidst beauty vainly
created for the perpetual festival of their empty lives.

March smiled to think that in this very Weimar, where sovereignty had
graced and ennobled itself as nowhere else in the world by the
companionship of letters and the arts, they still were not hurrying first
to see the palace of a prince, but were involuntarily making it second to
the cottage of a poet. But in fact it is Goethe who is forever the prince