personally superb in showing their different effigies if they had been
his own family portraits, and he would not spare the strangers a single
splendor of the twenty vast, handsome, tiresome, Versailles-like rooms he
led them through. The rooms were fatiguing physically, but so poignantly
interesting that Mrs. March would not have missed, though she perished of
her pleasure, one of the things she saw. She had for once a surfeit of
highhoting in the pictures, the porcelains, the thrones and canopies, the
tapestries, the historical associations with the margraves and their
marriages, with the Great Frederick and the Great Napoleon. The Great
Napoleon's man Bernadotte made the Schloss his headquarters when he
occupied Ansbach after Austerlitz, and here he completed his arrangements
for taking her bargain from Prussia and handing it over to Bavaria, with
whom it still remains. Twice the Great Frederick had sojourned in the
palace; visiting his sister Louise, the wife of the Wild Margrave, and
more than once it had welcomed her next neighbor and sister Wilhelmina,
the Margravine of Baireuth, whose autobiographic voice, piercingly
plaintive and reproachful, seemed to quiver in the air. Here, oddly
enough, the spell of the Wild Margrave weakened in the presence of his
portrait, which signally failed to justify his fame of furious tyrant.
That seems, indeed, to have been rather the popular and historical
conception of him than the impression he made upon his exalted
contemporaries. The Margravine of Baireuth at any rate could so far
excuse her poor blood-stained brother-in-law as to say: "The Margrave of
Ansbach . . . was a young prince who had been very badly educated. He
continually ill-treated my sister; they led the life of cat and dog. My
sister, it is true, was sometimes in fault . . . . Her education had been
very bad. . . She was married at fourteen."

At parting, the custodian told the Marches that he would easily have
known them for Americans by the handsome fee they gave him; they came