some idler or busier boy came to the gate and called him down to play
marbles or go swimming. When this happened the ancient world was rolled
up like a scroll, and put away until the next day, with all its orators
and conspirators, its nymphs and satyrs, gods and demigods; though
sometimes they escaped at night and got into the boy's dreams.

I do not think I cared as much as some of the other boys for the 'Arabian
Nights' or 'Robinson Crusoe,' but when it came to the 'Ingenious
Gentleman of La Mancha,' I was not only first, I was sole.

Before I speak, however, of the beneficent humorist who next had my
boyish heart after Goldsmith, let me acquit myself in full of my debt to
that not unequal or unkindred spirit. I have said it was long after I
had read those histories, full of his inalienable charm, mere pot-boilers
as they were, and far beneath his more willing efforts, that I came to
know his poetry. My father must have read the "Deserted Village" to us,
and told us something of the author's pathetic life, for I cannot
remember when I first knew of "sweet Auburn," or had the light of the
poet's own troubled day upon the "loveliest village of the plain."
The 'Vicar of Wakefield' must have come into my life after that poem and
before 'The Traveler'. It was when I would have said that I knew all
Goldsmith; we often give ourselves credit for knowledge in this way
without having any tangible assets; and my reading has always been very
desultory. I should like to say here that the reading of any one who
reads to much purpose is always very desultory, though perhaps I had
better not say so, but merely state the fact in my case, and own that I
never read any one author quite through without wandering from him to
others. When I first read the 'Vicar of Wakefield' (for I have since
read it several times, and hope yet to read it many times), I found its
persons and incidents familiar, and so I suppose I must have heard it