seemed so good a notion that when L. came to know their fate from me, I
answered, confidently, "I think they are rather more adapted to music."
He calmly asked, "Why?" and as this was an exigency which Longfellow had
not forecast for me, I was caught in it without hope of escape. I really
do not know what I said, but I know that I did not take the poems, such
was my literary conscience in those days; I am afraid I should be weaker
now.




IV.

The suppers of the Dante Club were a relaxation from the severity of
their toils on criticism, and I will not pretend that their table-talk
was of that seriousness which duller wits might have given themselves up
to. The passing stranger, especially if a light or jovial person, was
always welcome, and I never knew of the enforcement of the rule I heard
of, that if you came in without question on the Club nights, you were a
guest; but if you rang or knocked, you could not get in.

Any sort of diversion was hailed, and once Appleton proposed that
Longfellow should show us his wine-cellar. He took up the candle burning
on the table for the cigars, and led the way into the basement of the
beautiful old Colonial mansion, doubly memorable as Washington's
headquarters while he was in Cambridge, and as the home of Longfellow for
so many years. The taper cast just the right gleams on the darkness,
bringing into relief the massive piers of brick, and the solid walls of
stone, which gave the cellar the effect of a casemate in some fortress,
and leaving the corners and distances to a romantic gloom. This basement