The American Spirit in Literature : a chronicle of great interpreters by Bliss Perry
page 64 of 189 (33%)
page 64 of 189 (33%)
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Hudson, where he died in 1859, he wrote graceful lives of
Goldsmith and of Washington. Such a glance at the shelf containing Irving's books suggests but little of that personal quality to which he owes his significance as an interpreter of America to the Old World. This son of a narrow, hard, Scotch dealer in cutlery, this drifter about town when New York was only a big slovenly village, this light-hearted scribbler of satire and sentiment, was a gentleman born. His boyhood and youth were passed in that period of Post-Revolutionary reaction which exhibits the United States in some of its most unlovely aspects. Historians like Henry Adams and McMaster have painted in detail the low estate of education, religion, and art as the new century began. The bitter feeling of the nascent nation toward Great Britain was intensified by the War of 1812. The Napoleonic Wars had threatened to break the last threads of our friendship for France, and suspicion of the Holy Alliance led to an era of national self-assertion of which the Monroe Doctrine was only one expression. The raw Jacksonism of the West seemed to be gaining upon the older civilizations represented by Virginia and Massachusetts. The self-made type of man began to pose as the genuine American. And at this moment came forward a man of natural lucidity and serenity of mind, of perfect poise and good temper, who knew both Europe and America and felt that they ought to know one another better and to like one another more. That was Irving's service as an international mediator. He diffused sweetness and light in an era marked by bitterness and obscuration. It was a triumph of character as well as of literary skill. |
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