HEARTBREAK HOUSE: A FANTASIA IN THE RUSSIAN MANNER ON ENGLISH THEMES

by BERNARD SHAW

1913-1916




HEARTBREAK HOUSE AND HORSEBACK HALL


Where Heartbreak House Stands

Heartbreak House is not merely the name of the play which follows
this preface. It is cultured, leisured Europe before the war.
When the play was begun not a shot had been fired; and only the
professional diplomatists and the very few amateurs whose hobby
is foreign policy even knew that the guns were loaded. A Russian
playwright, Tchekov, had produced four fascinating dramatic
studies of Heartbreak House, of which three, The Cherry Orchard,
Uncle Vanya, and The Seagull, had been performed in England.
Tolstoy, in his Fruits of Enlightenment, had shown us through it
in his most ferociously contemptuous manner. Tolstoy did not
waste any sympathy on it: it was to him the house in which Europe
was stifling its soul; and he knew that our utter enervation and
futilization in that overheated drawingroom atmosphere was
delivering the world over to the control of ignorant and soulless
cunning and energy, with the frightful consequences which have
now overtaken it. Tolstoy was no pessimist: he was not disposed