sleeping Naiad, holding in her hand a shell, from which the water gushes
and falls into a marble basin. This is a delicious retreat in summer.

We can speak only in terms of admiration regarding the interior of the
palace, the furniture of which was handsome and of an original and
elegant style. The Emperor's sleeping-room, the only part of the
building in which there was a fireplace, was ornamented with wainscoting
in Chinese lacquer work, then very old, though the painting and gilding
were still fresh, and the cabinet was decorated like the bedroom; and all
the apartments, except this, were warmed in winter by immense stoves,
which greatly injured the effect of the interior architecture. Between
the study and the Emperor's room was a very curious machine, called the
flying chariot, a kind of mechanical contrivance, which had been made for
the Empress Maria Theresa, and was used in conveying her from one story
to the other, so that she might not be obliged to ascend and descend
staircases like the rest of the world. This machine was operated by
means of cords, pulleys, and weights, like those at the theater.

The beautiful grove which serves as park and garden to the palace of
Schoenbrunn is much too small to belong to an imperial residence; but,
on the other hand, it would be hard to find one more beautiful or better
arranged. The park of Versailles is grander and more imposing; but it
has not the picturesque irregularity, the fantastic and unexpected
beauties, of the park of Schoenbrunn, and more closely resembles the park
at Malmaison. In front of the interior facade of the palace was a
magnificent lawn, sloping down to a broad lake, decorated with a group of
statuary representing the triumph of Neptune. This group is very fine;
but French amateurs (every Frenchman, as you are aware, desires to be
considered a connoisseur) insisted that the women were more Austrian than
Grecian, and that they did not possess the slender grace belonging to