antique forms; and, for my part, I must confess that these statues did
not appear to me very remarkable.

At the end of the grand avenue, and bounding the horizon, rose a hill,
which overlooked the park, and was crowned by a handsome building, which
bore the name of la Gloriette. This building was a circular gallery,
inclosed with glass, supported by a charming colonnade, between the
arches of which hung various trophies. On entering the avenue from the
direction of Vienna, la Gloriette rose at the farther end, seeming almost
to form a part of the palace; and the effect was very fine.

What the Austrians especially admired in the palace of Schoenbrunn was a
grove, containing what they called the Ruins, and a lake with a fountain
springing from the midst, and several small cascades flowing from it; by
this lake were the ruins of an aqueduct and a temple, fallen vases,
tombs, broken bas-reliefs, statues without heads, arms, or limbs, while
limbs, arms, and heads lay thickly scattered around; columns mutilated
and half-buried, others standing and supporting the remains of pediments
and entablatures; all combining to form a scene of beautiful disorder,
and representing a genuine ancient ruin when viewed from a short
distance. Viewed more closely, it is quite another thing: the hand of
the modern sculptor is seen; it is evident that all these fragments are
made from the same kind of stone; and the weeds which grow in the hollows
of these columns appear what they really are, that is to say, made of
stone, and painted to imitate verdure.

But if the productions of art scattered through the park of Schoenbrunn
were not all irreproachable, those of nature fully made up the
deficiency. What magnificent trees! What thick hedges! What dense and
refreshing shade! The avenues were remarkably high and broad, and