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Every Man out of His Humour by Ben Jonson
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reasons that Jonson is even better in the epigram and in occasional verse
where rhetorical finish and pointed wit less interfere with the spontaneity
and emotion which we usually associate with lyrical poetry. There are no
such epitaphs as Ben Jonson's, witness the charming ones on his own
children, on Salathiel Pavy, the child-actor, and many more; and this even
though the rigid law of mine and thine must now restore to William Browne
of Tavistock the famous lines beginning: "Underneath this sable hearse."
Jonson is unsurpassed, too, in the difficult poetry of compliment, seldom
falling into fulsome praise and disproportionate similtude, yet showing
again and again a generous appreciation of worth in others, a
discriminating taste and a generous personal regard. There was no man in
England of his rank so well known and universally beloved as Ben Jonson.
The list of his friends, of those to whom he had written verses, and those
who had written verses to him, includes the name of every man of prominence
in the England of King James. And the tone of many of these productions
discloses an affectionate familiarity that speaks for the amiable
personality and sound worth of the laureate. In 1619, growing unwieldy
through inactivity, Jonson hit upon the heroic remedy of a journey afoot to
Scotland. On his way thither and back he was hospitably received at the
houses of many friends and by those to whom his friends had recommended
him. When he arrived in Edinburgh, the burgesses met to grant him the
freedom of the city, and Drummond, foremost of Scottish poets, was proud to
entertain him for weeks as his guest at Hawthornden. Some of the noblest
of Jonson's poems were inspired by friendship. Such is the fine "Ode to
the memory of Sir Lucius Cary and Sir Henry Moryson," and that admirable
piece of critical insight and filial affection, prefixed to the first
Shakespeare folio, "To the memory of my beloved master, William
Shakespeare, and what he hath left us." to mention only these. Nor can the
earlier "Epode," beginning "Not to know vice at all," be matchedin stately
gravity and gnomic wisdom in its own wise and stately age.
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