which she consented.

Behold me then so full of this concert, that night or day I could think
of nothing else, and it actually employed a great part of my time to
select the music, assemble the musicians, look to the instruments, and
write out the several parts. Madam de Warrens sang; Father Cato (whom I
have before mentioned, and shall have occasion to speak of again) sang
likewise; a dancing--master named Roche, and his son, played on the
violin; Canavas, a Piedmontese musician (who was employed like myself in
the survey, and has since married at Paris), played on the violoncello;
the Abbe Palais performed on the harpsichord, and I had the honor to
conduct the whole. It may be supposed all this was charming; I cannot
say it equalled my concert at Monsieur de Tretoren's, but certainly it
was not far behind it.

This little concert, given by Madam de Warrens, the new convert, who
lived (it was expressed) on the king's charity, made the whole tribe of
devotees murmur, but was a very agreeable amusement to several worthy
people, at the head of whom it would not be easily surmised that I should
place a monk; yet, though a monk, a man of considerable merit, and even
of a very amiable disposition, whose subsequent misfortunes gave me the
most lively concern, and whose idea, attached to that of my happy days,
is yet dear to my memory. I speak of Father Cato, a Cordelier, who, in
conjunction with the Count d'Ortan, had caused the music of poor Le
Maitre to be seized at Lyons; which action was far from being the
brightest trait in his history. He was a Bachelor of Sorbonne, had lived
long in Paris among the great world, and was particularly caressed by the
Marquis d'Antremont, then Ambassador from Sardinia. He was tall and well
made; full faced, with very fine eyes, and black hair, which formed
natural curls on each side of his forehead. His manner was at once