apprehended no hostility on the part of her lover's brother-in-law.
Lydia understood it only too well, as well as the fresh proof of
Florent's sentiments for Lincoln. Once more he gave precedence to the
friend over the sister, and on what an occasion! The most secret wounds
in her inmost being bled as she read. The success of Alba's portrait,
which promised to be a masterpiece, ended by precipitating her into a
fierce and abominable action. She resolved to denounce Madame Steno's
new love to the betrayed lover, and she wrote the twelve letters, wisely
calculated and graduated, which had indeed determined Gorka's return.
His return had even been delayed too long to suit the relative of Iago,
who had decided to aim at Madame Steno through Alba by a still more
criminal denunciation. Lydia was in that state of exasperation in which
the vilest weapons seem the best, and she included innocent Alba in her
hatred for Maitland, on account of the portrait, a turn of sentiment
which will show that it was envy by which that soul was poisoned above
all. Ah, what bitter delight the simultaneous success of that double
infamy had procured for her! What savage joy, mingled with bitterness
and ecstacy, had been hers the day before, on witnessing the nervousness
of poor Alba and the suppressed fury of Boleslas!

In her mind she had seen Maitland provoked by the rival whom she knew to
be as adroit with the sword as with the pistol. She would not have been
the great-grandchild of a slave of Louisiana, if she had not combined
with the natural energy of her hatreds a considerable amount of
superstition. A fortune-teller had once foretold, from the lines in her
palm, that she would cause the violent death of some person. "It will be
he," she had thought, glancing at her husband with a horrible tremor of
hope.... And now she had the proof, the indisputable proof, that her
plot for vengeance was to terminate in the danger of another. Of what
other?