From Ritual to Romance by Jessie Laidlay Weston
page 44 of 234 (18%)
page 44 of 234 (18%)
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In Gerbert's continuation we are told that the marriage of the hero is an indispensable condition of achieving the Quest, a detail which must have been taken over from an earlier version, as Gerbert proceeds to stultify himself by describing the solemnities of the marriage, and the ceremonial blessing of the nuptial couch, after which hero and heroine simultaneously agree to live a life of strict chastity, and are rewarded by the promise that the Swan Knight shall be their descendant--a tissue of contradictions which can only be explained by the mal-a-droit blending of two versions, one of which knew the hero as wedded, the other, as celibate. There can be no doubt that the original Perceval story included the marriage of the hero.[12] The circumstances under which Rishyacringa is lured from his Hermitage are curiously paralleled by the account, found in the Queste and Manessier, of Perceval's temptation by a fiend, in the form of a fair maiden, who comes to him by water in a vessel hung with black silk, and with great riches on board.[13] In pointing out these parallels I wish to make my position perfectly clear; I do not claim that either in the Rig-Veda, or in any other early Aryan literary monument, we can hope to discover the direct sources of the Grail legend, but what I would urge upon scholars is the fact that, in adopting the hypothesis of a Nature Cult as a possible origin, and examining the history of these Cults, their evolution, and their variant forms, we do, in effect, find at every period and stage of development undoubted points of contact, which, though taken separately, might be regarded as accidental, in their ensemble can hardly be thus considered. When every parallel to our Grail story is found within the circle of a well-defined, and |
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