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A Portrait of the Artist as a Young Man by James Joyce
page 134 of 332 (40%)
back upon itself, fading slowly, quenching its own lights and fires.
They were quenched: and the cold darkness filled chaos.

A cold lucid indifference reigned in his soul. At his first violent sin
he had felt a wave of vitality pass out of him and had feared to find
his body or his soul maimed by the excess. Instead the vital wave had
carried him on its bosom out of himself and back again when it receded:
and no part of body or soul had been maimed but a dark peace had been
established between them. The chaos in which his ardour extinguished
itself was a cold indifferent knowledge of himself. He had sinned
mortally not once but many times and he knew that, while he stood in
danger of eternal damnation for the first sin alone, by every
succeeding sin he multiplied his guilt and his punishment. His days and
works and thoughts could make no atonement for him, the fountains of
sanctifying grace having ceased to refresh his soul. At most, by an
alms given to a beggar whose blessing he fled from, he might hope
wearily to win for himself some measure of actual grace. Devotion had
gone by the board. What did it avail to pray when he knew that his soul
lusted after its own destruction? A certain pride, a certain awe,
withheld him from offering to God even one prayer at night, though he
knew it was in God's power to take away his life while he slept and
hurl his soul hellward ere he could beg for mercy. His pride in his own
sin, his loveless awe of God, told him that his offence was too
grievous to be atoned for in whole or in part by a false homage to the
All-seeing and All-knowing.

--Well now, Ennis, I declare you have a head and so has my stick! Do
you mean to say that you are not able to tell me what a surd is?

The blundering answer stirred the embers of his contempt of his
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