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A Portrait of the Artist as a Young Man by James Joyce
page 135 of 332 (40%)
fellows. Towards others he felt neither shame nor fear. On Sunday
mornings as he passed the church door he glanced coldly at the
worshippers who stood bareheaded, four deep, outside the church,
morally present at the mass which they could neither see nor hear.
Their dull piety and the sickly smell of the cheap hair-oil with which
they had anointed their heads repelled him from the altar they prayed
at. He stooped to the evil of hypocrisy with others, sceptical of their
innocence which he could cajole so easily.

On the wall of his bedroom hung an illuminated scroll, the certificate
of his prefecture in the college of the sodality of the Blessed Virgin
Mary. On Saturday mornings when the sodality met in the chapel to
recite the little office his place was a cushioned kneeling-desk at the
right of the altar from which he led his wing of boys through the
responses. The falsehood of his position did not pain him. If at
moments he felt an impulse to rise from his post of honour and,
confessing before them all his unworthiness, to leave the chapel, a
glance at their faces restrained him. The imagery of the psalms of
prophecy soothed his barren pride. The glories of Mary held his soul
captive: spikenard and myrrh and frankincense, symbolizing her royal
lineage, her emblems, the late-flowering plant and late-blossoming
tree, symbolizing the age-long gradual growth of her cultus among men.
When it fell to him to read the lesson towards the close of the office
he read it in a veiled voice, lulling his conscience to its music.


QUASI CEDRUS EXALTATA SUM IN LIBANON ET QUASI CUPRESSUS IN MONTE SION.
QUASI PALMA EXALTATA SUM IN GADES ET QUASI PLANTATIO ROSAE IN JERICHO.
QUASI ULIVA SPECIOSA IN CAMPIS ET QUASI PLATANUS EXALTATA SUM JUXTA
AQUAM IN PLATEIS. SICUT CINNAMOMUM ET BALSAMUM AROMATIZANS ODOREM DEDI
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