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A Portrait of the Artist as a Young Man by James Joyce
page 95 of 332 (28%)
down the steps from the house and pass into the theatre. Stewards in
evening dress, old Belvedereans, loitered in groups about the entrance
to the theatre and ushered in the visitors with ceremony. Under the
sudden glow of a lantern he could recognize the smiling face of a
priest.

The Blessed Sacrament had been removed from the tabernacle and the
first benches had been driven back so as to leave the dais of the altar
and the space before it free. Against the walls stood companies of
barbells and Indian clubs; the dumbbells were piled in one corner: and
in the midst of countless hillocks of gymnasium shoes and sweaters and
singlets in untidy brown parcels there stood the stout leather-
jacketed vaulting horse waiting its turn to be carried up on the stage
and set in the middle of the winning team at the end of the gymnastic
display.

Stephen, though in deference to his reputation for essay writing he had
been elected secretary to the gymnasium, had had no part in the first
section of the programme but in the play which formed the second
section he had the chief part, that of a farcical pedagogue. He had
been cast for it on account of his stature and grave manners for he was
now at the end of his second year at Belvedere and in number two.

A score of the younger boys in white knickers and singlets came
pattering down from the stage, through the vestry and to the chapel.
The vestry and chapel were peopled with eager masters and boys. The
plump bald sergeant major was testing with his foot the springboard of
the vaulting horse. The lean young man in a long overcoat, who was to
give a special display of intricate club swinging, stood near watching
with interest, his silver-coated clubs peeping out of his deep
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