A Portrait of the Artist as a Young Man by James Joyce
page 95 of 332 (28%)
page 95 of 332 (28%)
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down the steps from the house and pass into the theatre. Stewards in
evening dress, old Belvedereans, loitered in groups about the entrance to the theatre and ushered in the visitors with ceremony. Under the sudden glow of a lantern he could recognize the smiling face of a priest. The Blessed Sacrament had been removed from the tabernacle and the first benches had been driven back so as to leave the dais of the altar and the space before it free. Against the walls stood companies of barbells and Indian clubs; the dumbbells were piled in one corner: and in the midst of countless hillocks of gymnasium shoes and sweaters and singlets in untidy brown parcels there stood the stout leather- jacketed vaulting horse waiting its turn to be carried up on the stage and set in the middle of the winning team at the end of the gymnastic display. Stephen, though in deference to his reputation for essay writing he had been elected secretary to the gymnasium, had had no part in the first section of the programme but in the play which formed the second section he had the chief part, that of a farcical pedagogue. He had been cast for it on account of his stature and grave manners for he was now at the end of his second year at Belvedere and in number two. A score of the younger boys in white knickers and singlets came pattering down from the stage, through the vestry and to the chapel. The vestry and chapel were peopled with eager masters and boys. The plump bald sergeant major was testing with his foot the springboard of the vaulting horse. The lean young man in a long overcoat, who was to give a special display of intricate club swinging, stood near watching with interest, his silver-coated clubs peeping out of his deep |
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