A Portrait of the Artist as a Young Man by James Joyce
page 96 of 332 (28%)
page 96 of 332 (28%)
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side-pockets. The hollow rattle of the wooden dumbbells was heard as
another team made ready to go up on the stage: and in another moment the excited prefect was hustling the boys through the vestry like a flock of geese, flapping the wings of his soutane nervously and crying to the laggards to make haste. A little troop of Neapolitan peasants were practising their steps at the end of the chapel, some circling their arms above their heads, some swaying their baskets of paper violets and curtsying. In a dark corner of the chapel at the gospel side of the altar a stout old lady knelt amid her copious black skirts. When she stood up a pink-dressed figure, wearing a curly golden wig and an old-fashioned straw sunbonnet, with black pencilled eyebrows and cheeks delicately rouged and powdered, was discovered. A low murmur of curiosity ran round the chapel at the discovery of this girlish figure. One of the prefects, smiling and nodding his head, approached the dark corner and, having bowed to the stout old lady, said pleasantly: --Is this a beautiful young lady or a doll that you have here, Mrs Tallon? Then, bending down to peer at the smiling painted face under the leaf of the bonnet, he exclaimed: --No! Upon my word I believe it's little Bertie Tallon after all! Stephen at his post by the window heard the old lady and the priest laugh together and heard the boys' murmurs of admiration behind him as they passed forward to see the little boy who had to dance the sunbonnet dance by himself. A movement of impatience escaped him. He let the edge of the blind fall and, stepping down from the bench on which he had been standing, walked out of the chapel. |
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