represent gods and men in wood or stone was awakened in Greece by
the example of older communities. It may be that one or two types
of figures were suggested by foreign models. It may be that a hint
was taken from Egypt for the form of the Doric column and that the
Ionic capital derives from an Assyrian prototype. It is almost
certain that the art of casting hollow bronze statues was borrowed
from Egypt. And it is indisputable that some ornamental patterns
used in architecture and on pottery were rather appropriated than
invented by Greece. There is no occasion for disguising or
underrating this indebtedness of Greece to her elder neighbors.
But, on the other hand, it is important not to exaggerate the
debt. Greek art is essentially self-originated, the product of a
unique, incommunicable genius. As well might one say that Greek
literature is of Asiatic origin, because, forsooth, the Greek
alphabet came from Phenicia, as call Greek art the offspring of
Egyptian or oriental art because of the impulses received in the
days of its beginning. [Footnote: This comparison is perhaps not
original with the present writer.]





CHAPTER II.

PREHISTORIC ART IN GREECE.


Thirty years ago it would have been impossible to write with any
considerable knowledge of prehistoric art in Greece. The Iliad and