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A History of Greek Art by Frank Bigelow Tarbell
page 25 of 177 (14%)
Odyssey, to be sure, tell of numerous artistic objects, but no
definite pictures of these were called up by the poet's words. Of
actual remains only a few were known. Some implements of stone,
the mighty walls of Tiryns, Mycenae, and many another ancient
citadel, four "treasuries," as they were often called, at Mycenae
and one at the Boeotian Orchomenus--these made up pretty nearly
the total of the visible relics of that early time. To-day the
case is far different. Thanks to the faith, the liberality, and
the energy of Heinrich Schliemann, an immense impetus has been
given to the study of prehistoric Greek archaeology. His
excavations at Troy, Mycenae, Tiryns, and elsewhere aroused the
world. He labored, and other men, better trained than he, have
entered into his labors. The material for study is constantly
accumulating, and constant progress is being made in classifying
and interpreting this material. A civilization antedating the
Homeric poems stands now dimly revealed to us. Mycenae, the city
"rich in gold," the residence of Agamemnon, whence he ruled over
"many islands and all Argos," [Footnote: Iliad II, 108] is seen to
have had no merely legendary preeminence. So conspicuous, in fact,
does Mycenae appear in the light as well of archaeology as of
epic, that it has become common, somewhat misleading though it is,
to call a whole epoch and a whole civilization "Mycenaean." This
"Mycenaean" civilization was widely extended over the Greek
islands and the eastern portions of continental Greece in the
second millennium before our era. Exact dates are very risky, but
it is reasonably safe to say that this civilization was in full
development as early as the fifteenth century B.C., and that it
was not wholly superseded till considerably later than 1000 B.C.

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