The Breitmann Ballads by Charles Godfrey Leland
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page 4 of 298 (01%)
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whose hands the sale became at once very great; and I should be
truly ungrateful if I omitted to mention among the many writers who were very kind in reviews, Mr. GEORGE A. SALA, who was chiefly influential in introducing Hans Breitmann to the English public, and who has ever been his warmest friend. Another friend who encouraged and aided me by criticism was the late OCTAVE DELEPIERRE, a man of immense erudition, especially in archaeology, curiosa and facetiae. I trust that I may be pardoned for here mentioning that he often spoke of Breitmann's "Interview with the Pope" as his favorite Macaronic poem, which, as he had published two volumes of Macaronea, was praise indeed. His theory was, that as Macaronics were the ultra-extravagance of poetry, he who wrote most recklessly in them did best; in fact, that they should excel in first-rate BADNESS; and from this point of view it is possible that Breitmann's Latin lyric is not devoid of merit, since assuredly nobody ever wrote a worse. The late LORD LYTTON, or "Bulwer," was also kind enough to take an interest in these Ballads, which was to me as gratifying as it was amazing. It was one of the great surprises of my life. I have a long letter from him, addressed to me on the appearance of the collected edition, in 1870. In it he spoke with warmest compliment of the poem of "Leyden," and the first verses of "Breitmann in Belgium." In conclusion, I acknowledge the courtesy of Messers. DALZIELL BROTHERS for allowing me to republish here four poems which had appeared in the "Brand New Ballads" published by them in 1885. But to mention all of the people of whom I have grateful memories in connection with the work, who have become acquainted with me through it, or written to me, or said pleasant words, would be impossible. I am happy to think it would embrace |
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