Retracing our steps, we invade the Argentine, in a well-appointed
gallery. The first general impression is very good, though on closer
examination nothing of really great merit holds one's attention for any
length of time. While naturalism reigns in Portugal, a more pronounced
decorative conventional note predominates in this section, particularly
in the portraiture. There is a peculiar superabundance of purple and
dark reds in the Argentine section, which gives this gallery a morbid
quality. On the main wall, in the left corner, Héctor Nava has a very
distinguished "Lady in Black". Among all of the portraits on this wall
it is easily the best, although some charming interiors of a singularly
cool tonality are not without interest. They are too reminiscent of
Frieseke to convince one of their originality. Another "Black Lady",
continuing toward the right on the next wall, has much to recommend her.
A better frame would enhance the merit of this canvas.

There is no landscape of any importance in the Argentine section, no
matter how hard the effort to find one. They are all singularly
artificial. A small harbor picture by Pedro Delucchi is strong in
colour, as well as in technical treatment. It has an unusual wealth of
colour, and great richness which contrasts strongly with the general
coldness of this section.



Uruguay

Here another South American republic holds forth in a small gallery off
the Italian section. The gallery is dominated by a large equestrian
portrait of General Galarza, by Blanes Viale. A certain fondness for
disagreeable greens and for decorative effects is noticeable in this