gallery, and one is not convinced of the necessity for a more
comprehensive display.



Cuba

The same remark applies to the Cuban section, where Romanach's
Düsseldorf style of picture shows at least good academic training,
without rising, however, above illustration in any one of the very well
painted figure pictures. Rodriguez Morey's big, intimate foreground
studies are commendable for their faithfulness and for a certain poetic
quality which takes them out of the realm of mere accurate truthfulness.



Philippine Islands

The small Philippine section makes one curious to know whether there is
nothing in the tradition of this people related to the art of Asia that
could serve as a basis for their artistic endeavors. To any
serious-minded person it must be evident that the Filipino is not going
to work out his artistic salvation by way of the Paris studio. It must
come out of the soil, so to speak, and must be based on the racial,
religious, and other national elements. It would do the Filipino people
good to see their collection in close proximity to that of other
nations. Aside from that, a natural sequence of artistic development by
developing the more decorative arts of making useful things beautiful -
such things as pots and pans, rugs, and jewelry - would be much more
becoming than this European affectation. The real art of the Filipinos