from the press; and those published after his death. The first class
includes "Queen Mab", "The Revolt of Islam", and "Alastor" with its
appendages, published in England before his final departure for the
continent; and "The Cenci" and "Adonais", printed under his own eye at
Leghorn and Pisa respectively. Except for some provoking but
corrigible misprints in "The Revolt of Islam" and one crucial passage
in "Alastor", these poems afford little material for conjectural
emendation; for the Alexandrines now and then left in the middle of
stanzas in "The Revolt of Islam" must remain untouched, as proceeding
not from the printer's carelessness but the author's. The second
class, poems printed during Shelley's lifetime, but not under his
immediate inspection, comprise "Prometheus Unbound" and "Rosalind and
Helen", together with the pieces which accompanied them,
"Epipsychidion", "Hellas", and "Swellfoot the Tyrant". The correction
of the most important of these, the "Prometheus", was the least
satisfactory. Shelley, though speaking plainly to the publisher,
rather hints than expresses his dissatisfaction when writing to
Gisborne, the corrector, but there is a pretty clear hint when on a
subsequent occasion he says to him, "I have received 'Hellas', which
is prettily printed, and with fewer mistakes than any poem I ever
published." This also was probably not without influence on his
determination to have "The Cenci" and "Adonais" printed in Italy...Of
the third class of Shelley's writings--those which were first
published after his death--sufficient facsimiles have been published
to prove that Trelawny's graphic description of the chaotic state of
most of them was really in no respect exaggerated...The difficulty is
much augmented by the fact that these pieces are rarely consecutive,
but literally disiecti membra poetae, scattered through various
notebooks in a way to require piecing together as well as deciphering.
The editors of the Posthumous Poems, moreover, though diligent