Rise of the Dutch Republic, the — Volume 07: 1561-62 by John Lothrop Motley
page 27 of 53 (50%)
page 27 of 53 (50%)
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sharp execution for all the criminals. On the 16th of May, the slaughter
commenced. Some were burned at the stake, some were beheaded: the number of victims was frightful. "Nothing was left undone by the magistrates," says an eyewitness, with great approbation, "which could serve for the correction and amendment of the poor people." It was long before the judges and hangmen rested from their labors. When at last the havoc was complete, it might be supposed that a sufficient vengeance had been taken for the "day of the ill-burned," and an adequate amount of "amendment" provided for the "poor people." Such scenes as these did not tend to increase the loyalty of the nation, nor the popularity of the government. On Granvelle's head was poured a daily increasing torrent of hatred. He was looked upon in the provinces as the impersonation of that religious oppression which became every moment more intolerable. The King and the Regent escaped much of the odium which belonged to them, because the people chose to bestow all their maledictions upon the Cardinal. There was, however, no great injustice in this embodiment. Granvelle was the government. As the people of that day were extremely reverent to royalty, they vented all their rage upon the minister, while maintaining still a conventional respect for the sovereign. The prelate had already become the constant butt of the "Rhetoric Chambers." These popular clubs for the manufacture of homespun poetry and street farces out of the raw material of public sentiment, occupied the place which has been more effectively filled in succeeding ages, and in free countries by the daily press. Before the invention of that most tremendous weapon, which liberty has ever wielded against tyranny, these humble but influential associations shared with the pulpit the only power which existed of moving the passions or directing the opinions of the people. They were eminently liberal in their tendencies. The authors and the actors of their comedies, poems, |
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