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Rise of the Dutch Republic, the — Volume 07: 1561-62 by John Lothrop Motley
page 27 of 53 (50%)
sharp execution for all the criminals. On the 16th of May, the slaughter
commenced. Some were burned at the stake, some were beheaded: the number
of victims was frightful. "Nothing was left undone by the magistrates,"
says an eyewitness, with great approbation, "which could serve for the
correction and amendment of the poor people." It was long before the
judges and hangmen rested from their labors. When at last the havoc was
complete, it might be supposed that a sufficient vengeance had been taken
for the "day of the ill-burned," and an adequate amount of "amendment"
provided for the "poor people."

Such scenes as these did not tend to increase the loyalty of the nation,
nor the popularity of the government. On Granvelle's head was poured a
daily increasing torrent of hatred. He was looked upon in the provinces
as the impersonation of that religious oppression which became every
moment more intolerable. The King and the Regent escaped much of the
odium which belonged to them, because the people chose to bestow all
their maledictions upon the Cardinal. There was, however, no great
injustice in this embodiment. Granvelle was the government. As the
people of that day were extremely reverent to royalty, they vented all
their rage upon the minister, while maintaining still a conventional
respect for the sovereign. The prelate had already become the constant
butt of the "Rhetoric Chambers." These popular clubs for the manufacture
of homespun poetry and street farces out of the raw material of public
sentiment, occupied the place which has been more effectively filled in
succeeding ages, and in free countries by the daily press. Before the
invention of that most tremendous weapon, which liberty has ever wielded
against tyranny, these humble but influential associations shared with
the pulpit the only power which existed of moving the passions or
directing the opinions of the people. They were eminently liberal in
their tendencies. The authors and the actors of their comedies, poems,
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