and pasquils were mostly artisans or tradesmen, belonging to the class
out of which proceeded the early victims, and the later soldiers of the
Reformation. Their bold farces and truculent satire had already effected
much in spreading among the people a detestation of Church abuses. They
were particularly severe upon monastic licentiousness. "These corrupt
comedians, called rhetoricians," says the Walloon contemporary already
cited, "afforded much amusement to the people." Always some poor little
nuns or honest monks were made a part of the farce. It seemed as if the
people could take no pleasure except in ridiculing God and the Church.
The people, however, persisted in the opinion that the ideas of a monk
and of God were not inseparable. Certainly the piety of the early
reformers was sufficiently fervent, and had been proved by the steadiness
with which they confronted torture and death, but they knew no measure
in the ridicule which they heaped upon the men by whom they were daily
murdered in droves. The rhetoric comedies were not admirable in an
aesthetic point of view, but they were wrathful and sincere. Therefore
they cost many thousand lives, but they sowed the seed of resistance to
religious tyranny, to spring up one day in a hundredfold harvest. It was
natural that the authorities should have long sought to suppress these
perambulating dramas. "There was at that tyme," wrote honest Richard
Clough to Sir Thomas Gresham, "syche playes (of Reteryke) played thet
hath cost many a 1000 man's lyves, for in these plays was the Word of God
first opened in thys country. Weche playes were and are forbidden moche
more strictly than any of the bookes of Martin Luther."

These rhetoricians were now particularly inflamed against Granvelle.
They were personally excited against him, because he had procured the
suppression of their religious dramas. "These rhetoricians who make
farces and street plays," wrote the Cardinal to Philip, "are particularly
angry with me, because two years ago I prevented them from ridiculing the