inclination to light or dark caused by the pair of colours just
mentioned. These colours have once more their peculiar movement
to and from the spectator, but in a more rigid form (see Fig. 1).



FIGURE I



First Pair of antitheses. (inner appeal acting on
A and B. the spirit)


A. Warm Cold
Yellow Blue = First antithesis

Two movements:

(i) horizontal

Towards the spectator <-----<<< >>>-----> Away from the spectator
(bodily) (spiritual)

Yellow Blue

(ii) Ex- and concentric


B. Light Dark