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Concerning the Spiritual in Art by Wassily Kandinsky
page 69 of 104 (66%)
White Black = Second Antithesis


Two movements:

(i) discordant

Eternal discord, but with Absolute discord, devoid
possibilities for the White Black of possibilities for the
future (birth) future (death)

(ii) ex-and concentric, as in case of yellow and blue, but
more rigid.



Yellow and blue have another movement which affects the first
antithesis--an ex-and concentric movement. If two circles are
drawn and painted respectively yellow and blue, brief
concentration will reveal in the yellow a spreading movement out
from the centre, and a noticeable approach to the spectator. The
blue, on the other hand, moves in upon itself, like a snail
retreating into its shell, and draws away from the spectator.
[Footnote: These statements have no scientific basis, but are
founded purely on spiritual experience.]

In the case of light and dark colours the movement is emphasized.
That of the yellow increases with an admixture of white, i.e., as
it becomes lighter. That of the blue increases with an admixture
of black, i.e., as it becomes darker. This means that there can
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