This sanctuary rested upon a lofty foundation, and a long flight of steps
led to the cella. The spot afforded Gorgias a wide prospect.

Most of the buildings within his vision belonged to the time of Alexander
and his successors in the house of the Ptolemies, but some, and by no
means the least stately, were the work of Gorgias himself or of his
father. The artist's heart swelled with enthusiastic delight at the
sight of this portion of his native city.

He had been in Rome, and visited many other places numbered among the
world's fairest and most populous cities; but not one contained so many
superb works of art crowded together in so small a space.

"If one of the immortals themselves," he murmured, "should strive to
erect for the inhabitants of Olympus a quarter meet for their grandeur
and beauty, it could scarcely be much more superb or better fitted to
satisfy the artistic needs which we possess as their gift, and it would
surely be placed on the shore of such a sea."

While speaking, he shaded his keen eyes with his hand. The architect,
who usually devoted his whole attention to the single object that claimed
his notice, now permitted himself the pleasure of enjoying the entire
picture in whose finishing touches he had himself borne a part; and, as
his practised eye perceived in every temple and colonnade the studied and
finished harmony of form, and the admirable grouping of the various
buildings and statues, he said to himself, with a sigh of satisfaction,
that his own art was the noblest and building the highest of royal
pleasures. No doubt this belief was shared by the princes who, three
centuries before, had endeavoured to obtain an environment for their
palaces which should correspond with their vast power and overflowing