wealth, and at the same time give tangible expression to their reverence
for the gods and their delight in art and beauty. No royal race in the
universe could boast of a more magnificent abode. These thoughts passed
through Gorgias's mind as the deep azure hue of sea and sky blended with
the sunlight to bring into the strongest relief all that the skill and
brains of man, aided by exhaustless resources, had here created.

Waiting, usually a hard task for the busy architect, became a pleasure in
this spot; for the rays streaming lavishly in all directions from the
diadem of the sovereign sun flooded with dazzling radiance the thousands
of white marble statues on the temples and colonnades, and were reflected
from the surfaces of the polished granite of the obelisks and the equally
smooth walls of the white, yellow, and green marble, the syenite, and the
brown, speckled porphyry of sanctuaries and palaces. They seemed to be
striving to melt the bright mosaic pictures which covered every foot Of
the ground, where no highway intersected and no tree shaded it, and
flashed back again from the glimmering metal or the smooth glaze in the
gay tiles on the roofs of the temples and houses. Here they glittered on
the metal ornaments, yonder they seemed to be trying to rival the
brilliancy of the gilded domes, to lend to the superb green of the
tarnished bronze surfaces the sparkling lustre of the emerald, or to
transform the blue and red lines of the white marble temples into lapis-
lazuli and coral and their gilded decorations into topaz. The pictures
in the mosaic pavement of the squares, and on the inner walls of the
colonnades, were doubly effective against the light masses of marble
surrounding them, which in their turn were indebted to the pictures for
affording the eye an attractive variety instead of dazzling monotony.

Here the light of the weltering sun enhanced the brilliancy of colour in
the flags and streamers which fluttered beside the obelisks and Egyptian