Palaces and Courts of the Exposition by Juliet Helena Lumbard James
page 76 of 117 (64%)
page 76 of 117 (64%)
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Cypresses.
English laurel. - Architect - Henry Bacon of New York. Architecture - Italian Renaissance. There is a strong feeling of the architectural influence of Hadrian's Villa, near Rome, when the eye rests on the half dome and also on the treatment of the columns in front of the fountains of the seasons. This is one of the chief beauty spots of the Exposition. A quiet, reposeful, happy place where birds have built their nests and where they sing their carols of spring. As you pass into this court from the bay, or north side, your attention is drawn almost immediately to the bucrania, or bulls' heads, between festoons of flowers. This is only a Renaissance motive, but the mind wanders back to the harvest festivals of olden days, when, after the great harvest procession was over, the bulls were sacrificed to the gods as a reward for the abundant harvest. The same idea is worked out in "The Feast of the Sacrifice," the magnificent bull groups atop the pylons (by Albert Jaegers), where youths and maidens lead the bulls in the harvest procession. Great garlands suggest the festivity. The whole court is an expression of the abundance of the harvests - |
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