Around the corner, "The Bisons," by Proctor.

Follow along by the Pool and you meet "The Scout," by Cyrus Dallin.

No words can describe the great poetic beauty of this Fine Arts Palace.
It seems to be the pivotal part of the Exposition, the goal of all
pilgrimages, the altar on which you place your ideals. It has so many
moods that one must see it in all seasons, during all times of the day,
and especially under the illuminations.

The figure of "Aspiration," by Leo Lentelli, is suspended - as is all
aspiration - over the main entrance of the Fine Arts Palace.

Walk over to Administration Avenue so that you can look across the Pool
at the panels.

They are by Bruno Zimm of New York.

They represent the Arts and a long procession of devotees.

In the center of one panel, called "The Unattainable in Art," one sees
Art represented. On either side is the battle between the idealists, the
materialists and the artists.

Many idealists have fallen, but the centaurs, the materialists, seem to
be held back by the artists who are striving to reach Art herself.

We are all striving to reach the so-called unattainable, but it means
the battle with materialism before we can do it. Yonder stand beauty,
health, truth - the flowers of the spirit - but we must pass the centaur