The table around which they had sat was there still, and likewise the
stations where the masked inquisitors and executioners formerly stood,
frozen, upright and silent, till they received a bloody order, and then,
without a word, moved off like the inexorable machines they were, to
carry it out. The frescoes on the walls were startlingly suited to the
place. In all the other saloons, the halls, the great state chambers of
the palace, the walls and ceilings were bright with gilding, rich with
elaborate carving, and resplendent with gallant pictures of Venetian
victories in war, and Venetian display in foreign courts, and hallowed
with portraits of the Virgin, the Saviour of men, and the holy saints
that preached the Gospel of Peace upon earth--but here, in dismal
contrast, were none but pictures of death and dreadful suffering!--not a
living figure but was writhing in torture, not a dead one but was smeared
with blood, gashed with wounds, and distorted with the agonies that had
taken away its life!

From the palace to the gloomy prison is but a step--one might almost jump
across the narrow canal that intervenes. The ponderous stone Bridge of
Sighs crosses it at the second story--a bridge that is a covered tunnel
--you can not be seen when you walk in it. It is partitioned lengthwise,
and through one compartment walked such as bore light sentences in
ancient times, and through the other marched sadly the wretches whom the
Three had doomed to lingering misery and utter oblivion in the dungeons,
or to sudden and mysterious death. Down below the level of the water, by
the light of smoking torches, we were shown the damp, thick-walled cells
where many a proud patrician's life was eaten away by the long-drawn
miseries of solitary imprisonment--without light, air, books; naked,
unshaven, uncombed, covered with vermin; his useless tongue forgetting
its office, with none to speak to; the days and nights of his life no
longer marked, but merged into one eternal eventless night; far away from