their nets.

The last of the four, "Air," represents this element in two totally
different ways; the one on the left gives the more tender, gentle
movement of this element, in the suggestion of the scent of the bowmen
screened by trees, moving toward their prospective prey, while the other
very bold composition is of a windmill turned away from the destructive
power of an impending windstorm. In the foreground people are rushed
along by gusts of wind, while children, unaware of the impending storm,
are flying kites.

The masterful and varied treatment of these eight canvases show Brangwyn
as the great painter he is known to be. We should rejoice to have such
excellent examples of his brush permanently with us.

While not exactly belonging to the number of official decorations,
Edward Trumbull's wall paintings in the unique Pennsylvania building are
of great interest. Thoroughly dignified in their composition, they are
most descriptive in their subject-matter. The "Pennsylvania Industries"
are on the west side and "Penn's Treaty with the Indians" on the other.
It is evident that Trumbull is a disciple of Brangwyn, though a personal
note is not lacking in his work.

The tea-room of the California building harbors some mural decorations
by Miss Florence Lundborg which the male part of the population can
enjoy only by special invitation. I regret that they are not placed
somewhere where the casual Exposition stroller can see them, because
they are deserving of more attention than they are apt to receive. Miss
Lundborg's artistic contributions have for many years been along the
lines of decorations and in this big, well-composed figural scheme she