discloses again a very fine, sympathetic understanding of the problems
of a wall decoration. The color scheme is very refreshing and gives life
to a large hall which has been endowed with unusual distinction by Miss
Lundborg's art. A number of decorative floral medallions complete a
scheme which is characterized throughout by dignity and sympathy.



The Illumination
Conclusion



While a daytime investigation of the Exposition no doubt has its
rewards, the full meaning of the Exposition reveals itself at night.
Never before has an Exposition been illuminated in the unique fashion of
the Panama-Pacific International Exposition.

Former exposition lighting consisted of a lavish display of lighting
fixtures, and of unavoidable millions of glaring bulbs, the number of
which nobody was permitted to forget. The offensive glare of the direct
light had to be eliminated to preserve that feeling of tonality, of
restfulness, so impressive in daytime. In other words, the sources of
all lights at night have been concealed, or so concentrated that they
could be far removed, so as not directly to offend the eye. The effect
is very much like the flood of light of a full-moon summer night.

In speaking of the rich mellowness of the lighting effect, one feels
again compelled to speak of the travertine stucco as the artistic
foundation of not only the architecture, sculpture, painting, and