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Aria da Capo by Edna St. Vincent Millay
page 30 of 39 (76%)
have received a great many letters from the directors of little
theatres, asking for copies of it with a view to producing it. Very
often, after I send the play, I receive a letter in reply asking for
some suggestions for its presentation, and enclosing direct
questions on points that have been difficult. It occurred to me
finally that it would be reasonable to make up a sort of informal
prompt-book to send about with the play; and it is that which is
printed below. It will be found incomplete and uneven, in some
instances unnecessarily detailed, in others not sufficiently so; all
of which is due to the fact that it was put together loosely, from
answers to chance questions, rather than logically, as an entity in
itself.




SUGGESTIONS FOR THE PRODUCTION OF "ARIA DA CAPO"

SETTING:

The setting required is simple:--a grey curtain, a long black table,
two slender black high-backed chairs, and a raised platform.

Instead of wings and back-drop the Provincetown Players cleverly
utilized painted screens, the heights varying from 6 to 10 feet,
these being set right and left of the stage in such manner as to
give the effect of depth and distance.

The table, six feet long and two feet wide, has thin legs and is
painted black.
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