When Pierrot and Columbine enter in the final scene, it is not
necessary that the table which Cothurnus has replaced shall entirely
conceal the bodies of Thyrsis and Corydon. Pierrot and Columbine
must ignore them until the lines indicate their discovery, no matter
how they may have fallen.

Particular attention must be given to the chairs in this set. They
are used to construct the tissue-paper wall, and, although
delicate, should be heavy enough to remain solid and steady, up and
down stage, without the possibility of an upset when Corydon strides
through the wall.

Near the footlights (actors' left) are two sofa pillows, used to
represent the rocks against which the shepherds lean. On the left of
the stage have another pillow, which Thyrsis places under his head
when he lies down to sleep. Use cloth or crepe paper for these
pillows, and have them of spotted black and white material, or of
any gay color except red or blue.

Cothurnus occupies a chair upon a platform, up-stage, centre, with
two or three steps surrounding it on three sides. Drape this with
plain heavy black cloth.

The table covering is important. Its width is equal to that of the
added height and width of the table. As it must be moved to cover
the bodies of Thyrsis and Corydon, it should be of sufficient weight
to prevent slipping. It will be well to experiment with this, to
ensure proper performance.