Aria da Capo by Edna St. Vincent Millay
page 32 of 39 (82%)
page 32 of 39 (82%)
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The cover should have black and white spots and striped ends.
The table is set as follows:--two large wooden bowls (at least seven inches high and fourteen inches in diameter). One is placed at each end of the table. That at Columbine's end should contain persimmons, pomegranates, grapes and other bright exotic fruits. Pierrot's bowl has confetti and colored paper ribbons, the latter showing plainly over the edge. (If Columbine uses practical macaroons, put them into this bowl.) Near Columbine, place a practical uncooked artichoke; have this of good size, and nail it to a wooden standard, painted black. At both places there are tall white wooden goblets. In the centre of the table there should be a curious, grotesque, but very gay flower, standing upright in a pot of wood or heavy paper, which will not break when Thyrsis drops it. Concealed at the root of this plant there should be a small sack of black confetti, to be used in the "poison scene." The table should be set with nothing but these articles, and yet give the appearance of bounty and elegance. Place the table parallel with the footlights,--the long side toward the audience. Columbine's chair is at the actors' right, and Pierrot's opposite--Columbine's hat hangs from her chair-top. Both chairs are festooned with tissue-paper ribbons, at least ten feet long, to be used later by the shepherds to represent their wall. These must be |
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