Athens: Its Rise and Fall, Book III. by Baron Edward Bulwer Lytton Lytton
page 68 of 156 (43%)
page 68 of 156 (43%)
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moral honesty, "to draw the bow and to speak the truth," this gallant
and splendid tribe were fated to make one of the most signal proofs in history, that neither the talents of a despot nor the original virtues of a people can long resist the inevitable effect of vicious political constitutions. It was not at Marathon, nor at Salamis, nor at Plataea, that the Persian glory fell. It fell when the Persians imitated the manners of the slaves they conquered. "Most imitative of all men," says Herodotus, "they are ever ready to adopt the manners of the foreigners. They take from the Medes their robe, from the Egyptians their breastplate." Happy, if to the robe and the breastplate they had confined their appropriations from the nations they despised! Happy, if they had not imparted to their august religion the gross adulterations of the Median magi; if they had not exchanged their mild laws and restricted government, for the most callous contempt of the value of life [48] and the dignity of freedom. The whole of the pure Persian race, but especially the nobler tribe of the Pasargadae, became raised by conquest over so vast a population, to the natural aristocracy of the land. But the valuable principle of aristocratic pride, which is the safest curb to monarchic encroachment, crumbled away in the atmosphere of a despotism, which received its capricious checks or awful chastisement only in the dark recesses of a harem. Retaining to the last their disdain of all without the Persian pale; deeming themselves still "the most excellent of mankind;" [49] this people, the nobility of the East, with the arrogance of the Spartan, contracting the vices of the Helot, rapidly decayed from all their national and ancient virtues beneath that seraglio-rule of janizaries and harlots, in which, from first to last, have merged the melancholy destinies of Oriental despotism. VII. Although Darius seems rather to have possessed the ardour for |
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