Memorials and Other Papers — Complete by Thomas De Quincey
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page 34 of 594 (05%)
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the practice of systematically traducing our order of country
gentlemen. His picture of Squire Western is not only a malicious, but also an incongruous libel. The squire's ordinary language is impossible, being alternately bookish and absurdly rustic. In reality, the conventional dialect ascribed to the rustic order in general--to peasants even more than to gentlemen--in our English plays and novels, is a childish and fantastic babble, belonging to no form of real breathing life; nowhere intelligible; not in _any_ province; whilst, at the same time, all provinces--Somersetshire, Devonshire, Hampshire--are confounded with our midland counties; and positively the diction of Parricombe and Charricombe from Exmoor Forest is mixed up with the pure Icelandic forms of the English lakes, of North Yorkshire, and of Northumberland. In Scotland, it needs but a slight intercourse with the peasantry to distinguish various dialects--the Aberdonian and Fifeshire, for instance, how easily distinguished, even by an English alien, from the western dialects of Ayrshire, &c.! And I have heard it said, by Scottish purists in this matter, that even Sir Walter Scott is chargeable with considerable licentiousness in the management of his colloquial Scotch. Yet, generally speaking, it bears the strongest impress of truthfulness. But, on the other hand, how false and powerless does this same Sir Walter become, when the necessities of his tale oblige him at any time to come amongst the English peasantry! His magic wand is instantaneously broken; and he moves along by a babble of impossible forms, as fantastic as any that our London theatres have traditionally ascribed to English rustics, to English sailors, and to Irishmen universally. Fielding is open to the same stern criticism, as a deliberate falsehood-monger; and from the same cause--want of energy to face the difficulty of mastering a real living idiom. This defect in language, however, I cite only as one feature in the complex falsehood which disfigures Fielding's portrait of the English country gentleman. |
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