without first making an apology, and appointing substitutes to preside in
his stead. When present, he never attended to anything else either to
avoid the reflections which he used to say were commonly made upon his
father, Caesar, for perusing letters and memorials, and making rescripts
during the spectacles; or from the real pleasure he took in attending
those exhibitions; of which he made no secret, he often candidly owning
it. This he manifested frequently by presenting honorary crowns and
handsome rewards to the best performers, in the games exhibited by
others; and he never was present at any performance of the Greeks,
without rewarding the most deserving, according to their merit. He took
particular pleasure in witnessing pugilistic contests, especially those
of the Latins, not only between combatants who had been trained
scientifically, whom he used often to match with the Greek champions; but
even between mobs of the lower classes fighting in streets, and tilting
at random, without any knowledge of the art. In short, he honoured with
his patronage all sorts of people who contributed in any way to the
success of the public entertainments. He not only maintained, but
enlarged, the privileges of the wrestlers. He prohibited combats of
gladiators where no quarter was given. He deprived the magistrates of
the power of correcting the stage-players, which by an ancient law was
allowed them at all times, and in all places; restricting their
jurisdiction entirely to the time of performance and misdemeanours in the
theatres. He would, however, admit, of no abatement, and exacted with
the utmost rigour the greatest exertions of the wrestlers and gladiators
in their several encounters. He went so far in restraining the
licentiousness of stage-players, that upon discovering that Stephanio, a
performer of the highest class, had a married woman with her hair
cropped, and dressed in boy's clothes, to wait upon him at table, he
ordered him to be whipped through all the three theatres, and then
banished him. Hylas, an actor of pantomimes, upon a complaint against