XVIII. He was a great encourager of learning and the liberal arts. He
first granted to the Latin and Greek professors of rhetoric the yearly
stipend of a hundred thousand sesterces [760] each out of the exchequer.
He also bought the freedom of superior poets and artists [761], and gave
a noble gratuity to the restorer of the Coan of Venus [762], and to
another artist who repaired the Colossus [763]. Some one offering to
convey some immense columns into the Capitol at a small expense by a
mechanical contrivance, he rewarded him very handsomely for his
invention, but would not accept his service, saying, "Suffer me to find
maintenance for the poor people." [764]

XIX. In the games celebrated when the stage-scenery of (458) the theatre
of Marcellus [765] was repaired, he restored the old musical
entertainments. He gave Apollinaris, the tragedian, four hundred
thousand sesterces, and to Terpinus and Diodorus, the harpers, two
hundred thousand; to some a hundred thousand; and the least he gave to
any of the performers was forty thousand, besides many golden crowns. He
entertained company constantly at his table, and often in great state and
very sumptuously, in order to promote trade. As in the Saturnalia he
made presents to the men which they were to carry away with them, so did
he to the women upon the calends of March [766]; notwithstanding which,
he could not wipe off the disrepute of his former stinginess. The
Alexandrians called him constantly Cybiosactes; a name which had been
given to one of their kings who was sordidly avaricious. Nay, at his
funeral, Favo, the principal mimic, personating him, and imitating, as
actors do, both his manner of speaking and his gestures, asked aloud of
the procurators, "how much his funeral and the procession would cost?"
And being answered "ten millions of sesterces," he cried out, "give him
but a hundred thousand sesterces, and they might throw his body into the
Tiber, if they would."