property of another as are not specified in any more precise enactment;
being drawn and derived from a practice attributed, I suppose without
any foundation, to the lizard or 'stellio' we spoke of just now. Having
cast its winter skin, it is reported to swallow it at once, and this
out of a malignant grudge lest any should profit by that which, if not
now, was of old accounted a specific in certain diseases. The term was
then transferred to any malicious wrong whatever done by one person to
another.

In other regions it was only to be expected that we should find poetry.
Thus it is nothing strange that architecture, which has been called
frozen music, and which is poetry embodied in material forms, should
have a language of its own, not dry nor hard, not of the mere intellect
alone, but one in the forming of which it is evident that the
imaginative faculties were at work. To take only one example--this,
however, from Gothic art, which naturally yields the most remarkable--
what exquisite poetry in the name of 'the rose window' or better still,
'the rose,' given to the rich circular aperture of stained glass, with
its leaf-like compartments, in the transepts of a Gothic cathedral!
Here indeed we may note an exception from that which usually finds
place; for usually art borrows beauty from nature, and very faintly, if
at all, reflects back beauty upon her. In this present instance,
however, art is so beautiful, has reached so glorious and perfect a
development, that if the associations which the rose supplies lend to
that window some hues of beauty and a glory which otherwise it would
not have, the latter abundantly repays the obligation; and even the
rose itself may become lovelier still, associated with those shapes of
grace, those rich gorgeous tints, and all the religious symbolism of
that in art which has borrowed and bears its name. After this it were
little to note the imagination, although that was most real, which