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Theresa Raquin by Émile Zola
page 89 of 253 (35%)
and broken-up that the running water washing it, carried it away bit by
bit. The jet falling on the face, bored a hole to the left of the nose.
And, abruptly, the nose became flat, the lips were detached, showing the
white teeth. The head of the drowned man burst out laughing.

Each time Laurent fancied he recognised Camille, he felt a burning
sensation in the heart. He ardently desired to find the body of his
victim, and he was seized with cowardice when he imagined it before him.
His visits to the Morgue filled him with nightmare, with shudders that
set him panting for breath. But he shook off his fear, taxing himself
with being childish, when he wished to be strong. Still, in spite of
himself, his frame revolted, disgust and terror gained possession of his
being, as soon as ever he found himself in the dampness, and unsavoury
odour of the hall.

When there were no drowned persons on the back row of slabs, he breathed
at ease; his repugnance was not so great. He then became a simple
spectator, who took strange pleasure in looking death by violence in the
face, in its lugubriously fantastic and grotesque attitudes. This sight
amused him, particularly when there were women there displaying their
bare bosoms. These nudities, brutally exposed, bloodstained, and in
places bored with holes, attracted and detained him.

Once he saw a young woman of twenty there, a child of the people, broad
and strong, who seemed asleep on the stone. Her fresh, plump, white form
displayed the most delicate softness of tint. She was half smiling, with
her head slightly inclined on one side. Around her neck she had a black
band, which gave her a sort of necklet of shadow. She was a girl who had
hanged herself in a fit of love madness.

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