Each morning, while Laurent was there, he heard behind him the coming
and going of the public who entered and left.

The morgue is a sight within reach of everybody, and one to which
passers-by, rich and poor alike, treat themselves. The door stands open,
and all are free to enter. There are admirers of the scene who go out of
their way so as not to miss one of these performances of death. If the
slabs have nothing on them, visitors leave the building disappointed,
feeling as if they had been cheated, and murmuring between their teeth;
but when they are fairly well occupied, people crowd in front of them
and treat themselves to cheap emotions; they express horror, they joke,
they applaud or whistle, as at the theatre, and withdraw satisfied,
declaring the Morgue a success on that particular day.

Laurent soon got to know the public frequenting the place, that mixed
and dissimilar public who pity and sneer in common. Workmen looked in
on their way to their work, with a loaf of bread and tools under their
arms. They considered death droll. Among them were comical companions
of the workshops who elicited a smile from the onlookers by making witty
remarks about the faces of each corpse. They styled those who had been
burnt to death, coalmen; the hanged, the murdered, the drowned, the
bodies that had been stabbed or crushed, excited their jeering vivacity,
and their voices, which slightly trembled, stammered out comical
sentences amid the shuddering silence of the hall.

There came persons of small independent means, old men who were thin and
shrivelled-up, idlers who entered because they had nothing to do, and
who looked at the bodies in a silly manner with the pouts of peaceful,
delicate-minded men. Women were there in great numbers: young
work-girls, all rosy, with white linen, and clean petticoats, who