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The Sculpture and Mural Decorations of the Exposition - A Pictorial Survey of the Art of the Panama-Pacific international exposition by Stella George Stern Perry
page 86 of 93 (92%)
Decorating the inner walls of the Arch of the Setting Sun are two long,
colorful panels by Frank Vincent Du Mond, inspired by the historical
background of the West. They have refreshing vividness of color, clear
precision of draughtsmanship and a bright enthusiasm for their subject.
With a narrative quality unusual in a mural they commemorate the
adventurous spirit that led a stable civilization in the march across
the continent of America. In the panel, "Leaving the East," emigrants
depart from a barren, snowy coast, upon which stands the meeting-house,
source of so many national traditions. A youth bids farewell to his
sorrowing friends; a group of adventurers bearing the bare necessities
of life leads the way to the frontier. In the central group, surrounding
the old Concord wagon laden with household goods, appear the Jurist,
Preacher, Schoolmistress, the Child - Symbol of the Home - the Plains'
Driver and the Trapper. A symbolic figure, "The Call of Fortune,"
accompanies them. Some of the characters are actual portraits, as are
also the Artist, Writer, Scholar, Architect and Sculptor in the opposite
panel, "The Arrival in the West." In this the lavishness and opulence of
California welcome the pioneers. Mr. Du Mond is a member of the
International Jury of Awards in the Fine Arts Department of the
Exposition.



Discovery - The Purchase
Tower of Jewels



The murals in the great tower are properly dedicated to the Panama
Canal. In them William de Leftwich Dodge admirably interprets its
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