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The Sculpture and Mural Decorations of the Exposition - A Pictorial Survey of the Art of the Panama-Pacific international exposition by Stella George Stern Perry
page 87 of 93 (93%)
history, labors and triumphant achievement. Each of the long decorative
bands is divided into three panels. The central panels, 96 feet long,
are, on the west wall, "The Atlantic and the Pacific," celebrating the
united nations face to face across the united waters, and on the east,
"The Gateway of All Nations," an allegorical pageant of triumph. The
"Gateway of All nations" is flanked by "Achievement" and "Labor
Crowned," noble and timely tributes to the Workers who made the canal.
Those here reproduced, opposing them on the western wall, are historic.
"Discovery" shows Balboa, "on a peak in Darien," in awe at his great
moment of discovering the Pacific. The Spirit of Adventurous Fortune
attends him. Watching him, sits the Indian guarding his treasures, a
tragic prophecy in face and figure. "The Purchase" commemorates the part
of France in this achievement. Columbia is purchasing the title from her
sister republic. American workmen, led by Enterprise, take up the tools
that French laborers have relinquished.



Ideals of Emigration
Arch, Nations of the East



The mural panels in the Eastern arch are devoted to the ideals and
motives that brought men across the sea. They are by Edward Simmons and
show that fresh juvenility of touch, that exquisite lucid tenderness of
color and gentle lightness of motion that give his work its delightful
poetic quality. But Mr. Simmons' art has always a deep accent and the
imagery in these panels touches fundamentals. "Visions of Exploration,"
the upper as here pictured, are Hope and Illusory Hope - she who casts
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