The Loss of the S. S. Titanic - Its Story and Its Lessons by Lawrence Beesley
page 42 of 154 (27%)
page 42 of 154 (27%)
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hastily round his neck. The men fell back and the women retired below
to get into the boats from the next deck. Two women refused at first to leave their husbands, but partly by persuasion and partly by force they were separated from them and sent down to the next deck. I think that by this time the work on the lifeboats and the separation of men and women impressed on us slowly the presence of imminent danger, but it made no difference in the attitude of the crowd: they were just as prepared to obey orders and to do what came next as when they first came on deck. I do not mean that they actually reasoned it out: they were the average Teutonic crowd, with an inborn respect for law and order and for traditions bequeathed to them by generations of ancestors: the reasons that made them act as they did were impersonal, instinctive, hereditary. But if there were any one who had not by now realized that the ship was in danger, all doubt on this point was to be set at rest in a dramatic manner. Suddenly a rush of light from the forward deck, a hissing roar that made us all turn from watching the boats, and a rocket leapt upwards to where the stars blinked and twinkled above us. Up it went, higher and higher, with a sea of faces upturned to watch it, and then an explosion that seemed to split the silent night in two, and a shower of stars sank slowly down and went out one by one. And with a gasping sigh one word escaped the lips of the crowd: "Rockets!" Anybody knows what rockets at sea mean. And presently another, and then a third. It is no use denying the dramatic intensity of the scene: separate it if you can from all the terrible events that followed, and picture the calmness of the night, the sudden light on the decks crowded with people in different stages of dress and undress, the background of huge funnels and tapering masts revealed by the soaring rocket, whose flash illumined at the same time the faces |
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