From the Caves and Jungles of Hindostan by H. P. (Helena Petrovna) Blavatsky
page 38 of 328 (11%)
page 38 of 328 (11%)
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Prajapatis, the ten personified creative powers of Brahma, the god
of everything living, and sing a hymn of praise to the creator. Something naively poetical, to our unaccustomed ears, breathed in this uniform melody unaccompanied by any orchestra. The hour of general revival has struck. Pralaya comes to an end. Everything rejoices, returning to life. The sky is separated from the waters and on it appear the Asuras and Gandharvas, the heavenly singers and musicians. Then Indra, Yama, Varuna, and Kuvera, the spirits presiding over the four cardinal points, or the four elements, water, fire, earth, and air, pour forth atoms, whence springs the serpent "Ananta." The monster swims to the surface of the waves and, bending its swanlike neck, forms a couch on which Vishnu reclines with the Goddess of Beauty, his wife Lakshmi, at his feet. "Swatha! Swatha! Swatha!" cries the choir of heavenly musicians, hailing the deity. In the Russian church service this is pronounced Swiat! Swiat! Swiat! and means holy! holy! holy! In one of his future avatars Vishnu will incarnate in Rama, the son of a great king, and Lakshmi will become Sita. The motive of the whole poem of Ramayana is sung in a few words by the celestial musicians. Kama, the God of Love, shelters the divine couple and, that very moment, a flame is lit in their hearts and the whole world is created. Later there are performed the fourteen acts of the drama, which is well known to everybody, and in which several hundred personages take part. At the end of the prologue the whole assembly of gods come forward, one after another, and acquaint the audience with the contents and the epilogue of their performance, asking the |
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