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Note Book of an English Opium-Eater by Thomas De Quincey
page 156 of 245 (63%)
and condensed, on the other hand, his work has a specific value in
bringing forward private documents, to which his opportunities have gained
him a confidential access. Two portraits of Lord Wellesley, one in middle
life, and one in old age, from a sketch by the Comte d'Orsay, are
felicitously executed.

Something remains to be said of Lord Wellesley as a literary man; and
towards such a judgment Mr. Pearce has contributed some very pleasing
materials. As a public speaker, Lord Wellesley had that degree of
brilliancy and effectual vigor, which might have been expected in a man of
great talents, possessing much native sensibility to the charms of style,
but not led by any personal accidents of life into a separate cultivation
of oratory, or into any profound investigation of its duties and its
powers on the arena of a British senate. There is less call for speaking
of Lord Wellesley in this character, where he did not seek for any eminent
distinction, than in the more general character of an elegant
_litterateur_, which furnished to him much of his recreation in all
stages of his life, and much of his consolation in the last. It is
interesting to see this accomplished nobleman, in advanced age, when other
resources were one by one decaying, and the lights of life were
successively fading into darkness, still cheering his languid hours by the
culture of classical literature, and in his eighty-second year drawing
solace from those same pursuits which had given grace and distinction to
his twentieth.

One or two remarks I will make upon Lord Wellesley's verses--Greek as well
as Latin. The Latin lines upon Chantrey's success at Holkham in killing
two woodcocks at the first shot, which subsequently he sculptured in
marble and presented to Lord Leicester, are perhaps the most felicitous
amongst the whole. Masquerading, in Lord Wellesley's verses, as
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