Note Book of an English Opium-Eater by Thomas De Quincey
page 156 of 245 (63%)
page 156 of 245 (63%)
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and condensed, on the other hand, his work has a specific value in
bringing forward private documents, to which his opportunities have gained him a confidential access. Two portraits of Lord Wellesley, one in middle life, and one in old age, from a sketch by the Comte d'Orsay, are felicitously executed. Something remains to be said of Lord Wellesley as a literary man; and towards such a judgment Mr. Pearce has contributed some very pleasing materials. As a public speaker, Lord Wellesley had that degree of brilliancy and effectual vigor, which might have been expected in a man of great talents, possessing much native sensibility to the charms of style, but not led by any personal accidents of life into a separate cultivation of oratory, or into any profound investigation of its duties and its powers on the arena of a British senate. There is less call for speaking of Lord Wellesley in this character, where he did not seek for any eminent distinction, than in the more general character of an elegant _litterateur_, which furnished to him much of his recreation in all stages of his life, and much of his consolation in the last. It is interesting to see this accomplished nobleman, in advanced age, when other resources were one by one decaying, and the lights of life were successively fading into darkness, still cheering his languid hours by the culture of classical literature, and in his eighty-second year drawing solace from those same pursuits which had given grace and distinction to his twentieth. One or two remarks I will make upon Lord Wellesley's verses--Greek as well as Latin. The Latin lines upon Chantrey's success at Holkham in killing two woodcocks at the first shot, which subsequently he sculptured in marble and presented to Lord Leicester, are perhaps the most felicitous amongst the whole. Masquerading, in Lord Wellesley's verses, as |
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