Life of Her Most Gracious Majesty the Queen — Volume 1 by Sarah Tytler
page 102 of 346 (29%)
page 102 of 346 (29%)
![]() | ![]() |
|
|
the modern Church of England. The names of Newman and Pusey especially were
in many mouths, spoken in various terms of reprobation and alarm, or approval and exultation. Next to Tractarianism, Chartism--the people's demand for a charter which should meet their wants--was a rising force, though it had not reached its full development. Arnold was doing his noble work, accomplishing a moral revolution in the public schools of England. Milman and Grote had arisen as historians. Faraday was one of the chief lights of science. Sir John Herschel occupied his father's post among the stars. Beautiful modest Mary Somerville showed what a woman might do with the Differential Calculus; Brewster had taken the place of Sir Humphry Davy. Murchison was anticipating Robert Dick and Hugh Miller in geology. Alfred Tennyson had already published two volumes of poems; Browning had given to the world his "Paracelsus," and this very year (1837) his _Strafford_ had been performed at Covent Garden, while it was still on the cards that his calling might be that of a great dramatist. Dickens, the Scott of the English lower-middle classes, was bringing out his "Pickwick Papers." Disraeli had got into the House of Commons at last, and his "Vivian Grey" was fully ten years old. So was Bulwer's "Pelbam"--the author of which also aided in forming the literary element of the House of Commons in the Queen's first Parliament. Mrs. Gore, Mrs. Trollope, Miss Mitford, Mrs. S. C. Hail, and Harriet Martinean represented under very different aspects the feminine side of fiction. Macready remained the stage king, but he shared his royalty with the younger Kean. A younger Kemble had also played Juliet well, but the stage queen was Helen Faucit. In painting, Turner was working in his last style; Stanfield's sea-pieces were famous. Mulready and Leslie were in the front as _genre_ painters. Maclise was making his reputation; Etty had struggled into renown, while poor Haydon was sinking into despair. Landseer was already the great animal painter. Sir C. Eastlake had court commissions. Wilkie, too, still had royal commissions, but his best work was done, and he was soon to set out on his |
|


