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Life of Her Most Gracious Majesty the Queen — Volume 1 by Sarah Tytler
page 102 of 346 (29%)
the modern Church of England. The names of Newman and Pusey especially were
in many mouths, spoken in various terms of reprobation and alarm, or
approval and exultation. Next to Tractarianism, Chartism--the people's
demand for a charter which should meet their wants--was a rising force,
though it had not reached its full development. Arnold was doing his noble
work, accomplishing a moral revolution in the public schools of England.
Milman and Grote had arisen as historians. Faraday was one of the chief
lights of science. Sir John Herschel occupied his father's post among the
stars. Beautiful modest Mary Somerville showed what a woman might do with
the Differential Calculus; Brewster had taken the place of Sir Humphry
Davy. Murchison was anticipating Robert Dick and Hugh Miller in geology.
Alfred Tennyson had already published two volumes of poems; Browning had
given to the world his "Paracelsus," and this very year (1837) his
_Strafford_ had been performed at Covent Garden, while it was still on
the cards that his calling might be that of a great dramatist. Dickens, the
Scott of the English lower-middle classes, was bringing out his "Pickwick
Papers." Disraeli had got into the House of Commons at last, and his
"Vivian Grey" was fully ten years old. So was Bulwer's "Pelbam"--the author
of which also aided in forming the literary element of the House of Commons
in the Queen's first Parliament. Mrs. Gore, Mrs. Trollope, Miss Mitford,
Mrs. S. C. Hail, and Harriet Martinean represented under very different
aspects the feminine side of fiction. Macready remained the stage king, but
he shared his royalty with the younger Kean. A younger Kemble had also
played Juliet well, but the stage queen was Helen Faucit. In painting,
Turner was working in his last style; Stanfield's sea-pieces were famous.
Mulready and Leslie were in the front as _genre_ painters. Maclise was
making his reputation; Etty had struggled into renown, while poor Haydon
was sinking into despair. Landseer was already the great animal painter.
Sir C. Eastlake had court commissions. Wilkie, too, still had royal
commissions, but his best work was done, and he was soon to set out on his
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