Queene,' at the very end of the sixteenth century. To the Seven Sins were
commonly opposed, but with much less emphasis, the Seven Cardinal Virtues,
Faith, Hope, Charity (Love), Prudence, Temperance, Chastity, and Fortitude.
Again, almost as prominent as the Seven Sins was the figure of Fortune with
her revolving wheel, a goddess whom the violent vicissitudes and tragedies
of life led the men of the Middle Ages, in spite of their Christianity, to
bring over from classical literature and virtually to accept as a real
divinity, with almost absolute control in human affairs. In the seventeenth
century Shakspere's plays are full of allusions to her, but so for that
matter is the everyday talk of all of us in the twentieth century.

LITERATURE IN THE THREE LANGUAGES. It is not to the purpose in a study like
the present to give special attention to the literature written in England
in Latin and French; we can speak only briefly of that composed in English.
But in fact when the English had made its new beginning, about the year
1200, the same general forms flourished in all three languages, so that
what is said in general of the English applies almost as much to the other
two as well.

RELIGIOUS LITERATURE. We may virtually divide all the literature of the
period, roughly, into (1) Religious and (2) Secular. But it must be
observed that religious writings were far more important as literature
during the Middle Ages than in more recent times, and the separation
between religious and secular less distinct than at present. The forms of
the religious literature were largely the same as in the previous period.
There were songs, many of them addressed to the Virgin, some not only
beautiful in their sincere and tender devotion, speaking for the finer
spirits in an age of crudeness and violence, but occasionally beautiful as
poetry. There were paraphrases of many parts of the Bible, lives of saints,
in both verse and prose, and various other miscellaneous work. Perhaps